‘A Good Round Figure’: A 1950 Beach Fashion Magazine Spread

The French "Bikini" bathing suit has just about disappeared (it never quite fitted Amer­ican figures and American modesty) to be replaced by an earlier popular import from France, the maillot.

holiday magazine (June 1950) titled "1950: A Nice Round Figure"

 

Here’s an article from Holiday magazine (June 1950) titled “1950: A Nice Round Figure” – a fascinating look at the fashion mindset of the day. Bikinis are “out” and round figures are “in”.

The caption for the photograph above says it all:

Definitely not for the meek are these two “Tarzan’s-mate” suits made of leopard-print cloth. On the left, a brief sharkskin lined with jer­sey. Right: a strapless leopard nylon-velvet suit with mid-calf length paneled skirt. Recommended only for girls with Miss America figures.

 

holiday magazine (June 1950) titled "1950: A Nice Round Figure"

Less bones, less nudity, more curves and more frills add up to a more feminine look on the beaches.

WOMEN ARE GOING to look more like women on the beaches this summer. This good news comes from the American bathing-suit de­signers, who have decided at last that girls in swim suits look best when they are permitted to look like their natural selves, instead of being disguised as little boys or muscular long­distance swimming champions. As a result, bathing-suit designers this year have sketched their designs from life, with the assistance of the French curve rather than the ruler.

The results of this change-over, shown on these pages, will be popular with women and men alike. Bathing suits this year are prettier— perhaps prettier than ever before —and more feminine. Almost all of the suits encourage the pleasant round look in the right places. The big favorite of the past few years, the slim, elasticized two-piece suit, is definitely on the wane and with it the heavy engineering job of uncomfortable boning which frequently created exaggerated and artificial lines around the bosom.

The French “Bikini” bathing suit has just about disappeared (it never quite fitted Amer­ican figures and American modesty) to be replaced by an earlier popular import from France, the maillot. The new maillot, however, is something more than a one-piece sheath; in many cases it has a soft, frilly skirt attached to give that feminine 1950 look.

Most women are neither athletes nor models, so some figure-control is required in their beach wear. This year the result is achieved by skillful handling of new fabrics, by intelligent paneling and pleating, rather than by bon­ing. Bathing-suit fabrics like velvet are now completely water-repellent but still manage to keep their soft appearance. Colors are soft and subtle: creamy yellows, cyclamen pinks, cornflower blues and light tangerines. Women will look good in 1950 bathing suits —good and feminine.

Old look, new look: the corset-style bathing suit is on the way out. In the foreground is the new, unrestrained suit, a one-piece elasticized satin, lightly boned. Background: the old-style, heavily boned suit for more figure exaggeration.

The French suit is as dead as a cold souffle, but adaptations of trie nude vogue are still around. Foreground: this more modest creation has tiny bloomer shorts with side ties and a brief skirt. Right: the original “shocking” French suit.

Pretty girls in pretty suits bask at the Desert Lodge swimming pool at Borrego Springs, Cal. Left: a one-piece satin trimmed with ruffles—equally handsome in the sun or the water. Right: a trim design in nontarnishable metallic cloth with draped bra.

Elegant and sleek are these two formal suits. Foreground: a boneless one-piece nylon net over jersey with a black-satin motif appliqued on suit. Back: popular black again, a one-piece, shiny, strapless bloomer suit.

White-satin bathing suits glow prettily at cocktail time at Hoberg’s Desert Resort in California. Left: a one-piece elasticized satin sprinkled with nontarnishable rhine-stones. Right: a water-repellent slipper satin with petal effect on halter and shorts.

Seaworthy as well as decorative are the new velvet bathing suits, once considered impractical. Left: a one-piece crushed velvet maillot. Right: a maillot of velvet and cotton taffeta. Shaped velvet panel accentuates the figure.

holiday magazine (June 1950) titled "1950: A Nice Round Figure"

 

Old look, new look: the corset-style bathing suit is on the way out. In the foreground is the new, unrestrained suit, a one-piece elasticized satin, lightly boned. Background: the old-style, heavily boned suit for more figure exaggeration.

 

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The French suit is as dead as a cold souffle, but adaptations of trie nude vogue are still around. Foreground: this more modest creation has tiny bloomer shorts with side ties and a brief skirt. Right: the original “shocking” French suit.

 

holiday magazine (June 1950) titled "1950: A Nice Round Figure"

 

Elegant and sleek are these two formal suits. Foreground: a boneless one-piece nylon net over jersey with a black-satin motif appliqued on suit. Back: popular black again, a one-piece, shiny, strapless bloomer suit.

 

19667827942_58626c916c_b

 

White-satin bathing suits glow prettily at cocktail time at Hoberg’s Desert Resort in California. Left: a one-piece elasticized satin sprinkled with nontarnishable rhine-stones. Right: a water-repellent slipper satin with petal effect on halter and shorts.

 

holiday magazine (June 1950) titled "1950: A Nice Round Figure"

 

Seaworthy as well as decorative are the new velvet bathing suits, once considered impractical. Left: a one-piece crushed velvet maillot. Right: a maillot of velvet and cotton taffeta. Shaped velvet panel accentuates the figure.

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