Concrete Poems: Abandoned Hotels In The Sinai Desert

German artists Sabine Haubitz and Stefanie Zoche’s photographs of abandoned Sinai Hotels point to what might have been in the Egyptian desert. These large, artful, fashionably brutal, gothic and skeletal follies stand out in relief to the flat desert floor. Like the desert they are clean, dry and stark. But unlike the desert these sculptural hulks are anything but natural. So can these holiday-making fortifications on Egypt’s frontier be termed ‘poetic’, with their suggestive, captivating, inelegant, optimistic, incomprehensible, heraldic and vitally concrete forms that make you look and wonder? Or is it all just sad, peoples’ vision of something better ruined by the enemies of reason?

Caitlin Peterson:

The sculptural shells point to one of the consequences of a tourist industry that encourages uncontrolled urban development of whole landscapes and, against the backdrop of current political developments, amounts to a socio-political fuse. In their promise of holiday idylls, the names of hotel chains, which the artists have adopted for their titles, jar with discrepancy against the abandoned concrete skeletons in the pictures.

It’s this boldness that makes them gorgeous and worth keeping, not that anyone’s going to be bothered to knock them down.

 

Sultans Palace, 2004 Egypt hotels abandoned Sinai

Sultans Palace, 2004

Egypt hotels abandoned Sinai

Seaview Palace, 2004

Egypt hotels abandoned Sinai

Radamis Korridor, 2005

Egypt hotels abandoned Sinai

Radamis Land 1, 2003

Egypt hotels abandoned Sinai

Taba Heights Resort 2, 2003

Egypt hotels abandoned Sinai

Taba Heights Resort 1, 2003

Sunestra, 2003

Sunestra, 2003

Egypt hotels abandoned Sinai

King Sinefro, 2003

Egypt hotels abandoned Sinai

Admena, 2003

Egypt hotels abandoned Sinai

 

Via: Visual News

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