Left: detail, outer gatefold illustration by Holly Hollington, Greasy Truckers At Dingwalls Dancehall, Greasy Truckers Records, 1973; right: Uschi Obermaier and Michael J. Pollard, Oui, October 1973. Photo: Chris von Wangenheim
Opening spread of the fashion shoot; the headline plays on the fact that Pollard starred in the recently released movie Dirty Little Billy
Second spread featuring Obermaier and Pollard
I’d seen clipped pages from the shoot before, in the scrapbook which belonged to the late Freddie Hornik, the owner of Granny Takes A Trip who made the Kings Road boutique’s mark in the US with outlets in New York and Los Angeles in the early 1970s.
For the fashion spreads Obermaier and Pollard wore Granny’s own-brand designs as well as labels sold through Hornik’s outlet – including Terry de Havilland – and clothing from fabric specialist Jan Girard, LA’s The Leatherman and The Pleasure Chest and shirts by the US company Jizz.
Obermaeir in red polkadot Granny’s bolero blouse designed by Dinah Adams and Norma Kamali stretch pants; Pollard in matching Granny’s waistcoat and trousers with Gentleman John Lurex shirt. Photography: Chris von Wangenheim; hair Franklyn Welsh
Obermaier in leather bra, cuffs and dog collar from The Pleasure Chest and jeans from The Leatherman with diamante belt by Dior by Abbey Creations; Pollard in East West Musical Instruments leather jacket and silver leather jeans, also from The Leatherman. Photography: Chris von Wangenheim; hair Franklyn Welsh
And I’ve been particularly struck by the similarity in one of Pollard and Obermaier’s Oui poses to that of a couple in the gatefold drawing on the cover of the 1974 British double live LP Greasy Truckers At Dingwalls Dancehall.
Outer gatefold. Lettering and design by the late Kevin Sparrow, whose CV included stints at the underground press and Stiff Records. Illustration: Holly Hollington
Inner gatefold. Design: Kevin Sparrow; photography Nick Jarvis, Brian Cooke, Zoran, John Pearson
It’s clear illustrator Holly Hollington – whose credits include fashion drawings for Vogue and Tatler in the 80s – cleverly incorporated this rendition into the Greasy Truckers cover, as well as a simulation of the unnamed cover star from this particular issue of Oui, using the lipstick-on-mirrored glass effect to deliver the band names.
LP sleeve detail. Illustration: Holly Hollington
Obermaier in Jan Girard sequinned bathing suit and gold/silver Terry de Havilland wedges; Pollard in satin polka dot shirt from Jizz, leather jeans by The Leatherman and plastic belt by Willie Woo. Photography: Chris von Wangenheim; hair Franklyn Welsh
LP sleeve detail. Illustration: Holly Hollington
Oui, October 1973. Photographer and model uncredited
I have long loved Hollington’s drawing, having purchased the record on release. This, the second Greasy Truckers album, featured four groups, some of whom were recorded in performance at the north London venue on a night in the same month of Oui’s publication, October 1973. By the time I bought it I had seen them all live and while my interest in their music wavered, the sleeve continues to intrigue me.
I’ve yet to identify the source of these figures. Maybe they popped out of Hollington’s imagination. I recall repeatedly redrawing the louche rocker on my school books
Perhaps that’s because Hollington’s decadent depiction of Dingwalls denizens was far more glam and sexier than the early 70s north London reality. I knew that much, since I lived and went to school just a couple of miles away from Dingwalls. However, when I finally gained access to the Regent Canal-side premises a couple of years later I was nevertheless impressed by the American style bar-restaurant-venue, particularly its late licence…
Oui, October 1973. Photographer and model uncredited
See some of Holly Hollington’s other music credits here.
Uschi Obermaier is these days a California-based jewellery designer, having been a darling of the left as the face of the German student revolts of 1968, a member of Amon Düül, paramour of Keith Richards and an electrifying film actress. Her 2007 memoir was the basis for the biopic Eight Miles High. She gave an interview to Süddeutsche Zeitung last summer – see here.
Michael J. Pollard lives in Los Angeles. Here he talks about playing CW Moss in Arthur Penn’s Bonnie & Clyde.
Chris von Wangenheim died in a car crash at the age of 39 in 1982. A retrospective of his work, Gloss, was published in 2015. Copies are available here.
Would you like to support Flashbak?
Please consider making a donation to our site. We don't want to rely on ads to bring you the best of visual culture. You can also support us by signing up to our Mailing List. And you can also follow us on Facebook, Instagram and Twitter. For great art and culture delivered to your door, visit our shop.
